Activist Kemi Seba reacts to his expulsion from Ivory Coast earlier this week.

At a press conference, the pan-Africanist criticized Ivorian authorities, and his home country, Benin, accusing them of violating his fundamental rights.

Despite the aversion of several governments in West Africa, Kemi Seba says he is determined to continue his fight against the CFA franc, a currency common to 14 African countries and guaranteed by France.

"There is a way forward and that is why we are fighting …
READ MORE : http://[a]www.africanews.com%2F2019%2F03%2F29%2Fanti-cfa-activist-kemi-seba-reacts-amid-ivory-coast-deportation[/a]

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Arcade Fire’s Régine Chassagne and Dominique Anglade, who co-founded KANPE with Chassagne, speak Friday, September 26, 2014, about their social and community involvement. The Haitian pair received the 2014 Social Impact Award from the Montreal International Black Film Festival for the pair’s achievements through KANPE. (Peter McCabe / THE GAZETTE)

Prof. Christopher Tinson is the 2018 winner of the inaugural Pauli Murray Book Prize from the African American Intellectual History Society for his latest publication, "Radical Intellect: Liberator Magazine and Black Activism in the 1960's."
Book description: The rise of black radicalism in the 1960s was a result of both the successes and the failures of the civil rights movement. The movement's victories were inspirational, but its failures to bring about structural political and economic change pushed many to look elsewhere for new strategies. During this era of intellectual ferment, the writers, editors, and activists behind the monthly magazine Liberator (1960–71) were essential contributors to the debate. In the first full-length history of the organization that produced the magazine, Christopher M. Tinson locates the Liberator as a touchstone of U.S.-based black radical thought and organizing in the 1960s. Combining radical journalism with on-the-ground activism, the magazine was dedicated to the dissemination of a range of cultural criticism aimed at spurring political activism, and became the publishing home to many notable radical intellectual-activists of the period, such as Larry Neal, Ossie Davis, Ruby Dee, Harold Cruse, and Askia Toure.
By mapping the history and intellectual trajectory of the Liberator and its thinkers, Tinson traces black intellectual history beyond black power and black nationalism into an internationalism that would shape radical thought for decades to come.

The Hood Museum of Art at Dartmouth presents:
Civil / Rights / Act: Art and Activism in the 1960s"

Kellie Jones, Associate Professor in Art History and Archaeology and the Institute for Research in African American Studies (IRAAS) at Columbia University and co-curator of Witness, offers a look at how artists engage in changing the world in which we live, in ways both subtle and overt.

October 24, 2014

This video is a companion to a web resource “Freedom in the Black Diaspora: A Resource Guide for Ayiti Reimagined,” produced to gather these sources for scholars on Haiti, to centralize the information online and broaden awareness of Afro-Caribbean materials in the Library of Congress's collections. The guide and video connect the Library with an emerging audience discussing Haiti's history, its representation in the media and its positive impact on Black sovereignty in the Americas.

Bios:
Dr. Brandon R. Byrd is a historian of nineteenth and twentieth century Black intellectual and social history, with a special focus on Black internationalism. His book, The Black Republic: African Americans and the Fate of Haiti, recovers a crucial and overlooked chapter of Black internationalism and political thought by exploring the ambivalent attitudes that Black intellectuals in the post-Civil War era held toward Haiti. Dr. Byrd’s scholarship has appeared in journals such as The Journal of African American History, The Journal of Civil War Era, Slavery and Abolition, and The Journal of Haitian Studies, and in popular outlets, including The Washington Post. Support for his research has come from numerous institutions and organizations including Vanderbilt University, Marquette University, the American Philosophical Society, and the W.E.B. Du Bois Library at UMass-Amherst, the Marcus Garvey Foundation, the University of North Carolina at Chapel Hill, and the Society for Historians of American Foreign Relations. In addition to his research and teaching, Dr. Byrd is a co-editor of the Black Lives and Liberation series published by Vanderbilt University Press.

Dr. Leslie Alexander is Associate Professor in the School of Historical, Philosophical and Religious Studies and the School of Social Transformation at Arizona State University. Her research focuses on late eighteenth and early nineteenth century Black culture, political consciousness, and resistance movements. Her first book is African or American?:Black Identity and Political Activism in New York City, 1784-1861, and her forthcoming book is Fear of a Black Republic: African Americans, Haiti, and the Birth of Black Internationalism.

Dr. Jean Eddy Saint Paul earned a PhD in Sociology at El Colegio de México. His ample publishing history includes books, articles, and contributions dealing with civil society, political sociology of the Haitian state and ruling class; the intersection between politics and religion. His works have been published in international academic and commercial publishers. As a former member of the National system of research in Mexico, and 'visiting professor' at the select Paris institute of political studies, commonly called Sciences Po., he made substantial contributions to the advancement of Haitian studies. Most of Saint Paul's scholarly work oscillates geographically between Latin America and the Caribbean. Previously, he was a tenured professor of sociology and politics at the University of Guanajuato, in Mexico, where he co-founded the Ph.D. Program in Law, Politics & Government, the Master Program in Political Analysis, & the B.A. Program in Political Science.

Dr. Grégory Pierrot is an Associate Professor in the Department of English at the University of Connecticut at Stamford. He is the author of the books Decolonize Hipsters, The Black Avenger in Atlantic Culture and co-editor of the forthcoming book An Anthology of Haitian Revolutionary Fictions. he is also a translator , and co-host of the Decolonize That! Webcast series. His work has appeared in Atlantic Studies, Studies in American Fiction, The African American Review, Criticism, Notes and Queries but also in Warscapes, Africa is a Country, and The Funambulist.

Dr. Chelsea Stieber is Associate Professor of French and Francophone Studies at Catholic University of America. She is the author of Haiti’s Paper War: Post-independence Writing, Civil War, and the Making of the Republic, 1804–1954 (New York University Press, 2020). The book, which was made possible in part by a Kluge Fellowship at the Library of Congress, explores Haiti's post-independence sovereignty and challenges our interpretations of both freedom struggles and the postcolonial. She is also co-editor, with Brandon Byrd, of the forthcoming critical translation of Louis Joseph Janvier’s Haiti for the Haitians (which will be coming out with Liverpool University Press). She is currently working on a new project on Caribbean Fascism, for which she was awarded an ACLS fellowship for the academic year 2020–2021.

For transcript and more information, visit https://www.loc.gov/item/webcast-10155

Together we'll into the ubiquity of White supremacy as a core tenet of Euro- and Americano-centric political & educational rhetoric around language. Upon acknowledgement of these colonial realities, we'll look into alternative paradigms that center language at the intersection of race, culture, and self-identity where global media activism & transracial allyship serve to establish anti-colonial resistance through powerfully unsettling creativity & transdisciplinary intelligence.

By the end of this talk, we will empowered to know: 1) how to use language to activate advocacy over privilege; 2) use language activistically to establish anti-colonial radical resistance; 3) become mini language intrapreneurial activists. Learn to be power through creatively disruptive activism and be accountable to the standard of social justice anti-racism impresses upon us to reestablish. Today.

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Filming by Chesline Pierre-Paul

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Miya Iwataki is a poet, long-time activist, and member of Little Tokyo Historical Society. She shared through visual storytelling her personal experience with the civil rights movement of the 60s and 70s, how it has shaped community service in Little Tokyo today, and how she understands the past struggle for social justice continuing today in the Black Lives Matter movement.

In this episode of People's Party, Talib Kweli and co-host Jasmin Leigh sit down Grammy Award-winning rapper, musician, producer, actor, and activist -- Wyclef Jean. This thorough interview covers Clef's ambitious career, which has influenced and inspired so many and pushed the multi-cultural boundaries of hip-hop.

The discussion starts off with Wyclef's move from his native Haiti to the US at age nine, landing in Brooklyn. He talks about finding his calling to hip-hop through battle rapping in the park as a youngster. Clef goes on to speak on the importance of Pras and John Forté to the Fugees and how pivotal they both were to the group's success. He also speaks on what it was like growing up a preacher's son and talks about how being raised in Haiti, Brooklyn (NY), and Newark (NJ) all influenced him in different ways. They also discuss lessons learned from the Haitian Revolution, Clef's encounter with police brutality, being determined to change the anti-Haitian attitudes through his success, and uniting Haitians and Jamaicans.

After digging deep on his heritage, the interview circles back to music, and Clef is asked about how he was influenced by underground hip-hop and whether he sensed that the album 'The Score' would become a masterpiece. He discusses the genius of producer Salaam Remi and his contributions, reflects on the Fugees breakup, and shares the advice he would give his younger self if he could do it all over. Clef also speaks to how much reggae has influenced his style of hip-hop and performances and tells us who he feels would be the best possible fit for him in a Verzuz battle.

Later, Talib notes Clef's success in remaking iconic songs of the past from any genre he chooses and turning them into modern-day hip-hop classics, explaining how he's always been on a quest for musical fusion. He also talks about seeing the enormous potential of Destiny's Child when he worked with them on their debut album, and how Beyonce was clearly destined for greatness. Clef goes on to talk about working with Whitney Houston, speaks on his experience attempting to run for president of Haiti, lays out lessons learned there, and also gets into the collapse of his Yéle Haiti charity and being accused of stealing from the $16 million raised. Clef then talks about working with Young Thug, lessons learned from his idol Quincy Jones, how he balances his Haitian gangster affiliations with stardom, talks about his music company dedicated to seeking out and signing talent in third-world countries, and offers his take on the future of musical fusion.

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PEOPLE'S PARTY WITH TALIB KWELI

People's Party is a weekly interview show hosted by Talib Kweli and Jasmin Leigh. Guests range from the biggest names in hip-hop, to global entertainers, to the most progressive minds moving our culture forward. The audio podcast is available on Apple and Spotify.

Homegoing Student led Panel on Identity, Culture and Activism

Marika Anthony-Shaw founded Plus 1 to create connective tissue between performer and fan around causes both care about. Today her colleagues in Arcade Fire and 70 other touring artists have raised over five million dollars in support of such causes. Her goal - make it an industry standard that $1 of every concert ticket is donated to benefit humanity.

Scène prise au zénith de Toulouse le 11/04/2009

a mix I made 4 my mom enjoy !

Song Titles:
Fanm Kolokinte
Myan Myan - 05:32
Marie Jocelyn - 13:35
Leogane - 17:37
Mon Compe - 22:37
Yeye - 36:56
Azoukiking - 42:38
Cole Cole - 47:30

Coupé Cloué |
Album: The Preacher (1978) |
Label: Mini Records |
MRS 1062

Provided to YouTube by CDBaby

Mon Compe / Ti Bom · Coupe Cloue

L'essentiel

℗ 2010 Mini Records

Released on: 2010-01-12

Auto-generated by YouTube.

Provided to YouTube by InnerCat Music Group, LLC

Men Rat La · Coupe Cloue

The Best of Coupé Cloué, Vol. 4

℗ Chancy Records & Agency

Released on: 2015-07-31

Artist: Coupe Cloue

Auto-generated by YouTube.

Médecin réputé mais responsable politique critiqué, Ariel Henry s'est emparé des rênes du pouvoir en Haïti après l'assassinat il y a sept mois du président Jovenel Moïse. Aujourd'hui le Premier ministre s'accroche à son poste malgré les soupçons qui le lient à cet attentat. Les explications de Frantz Duval, rédacteur en chef du quotidien Le Nouvelliste.
#Haiti #ArielHenry #JovenelMoise

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Mesi anpil paskew Toujou gade video Pale haiti yo , pataje video sa pou mwen tanpri, abonew siw pako fe sa epi like video sa, komante opinyon ou, Bondye beniw ak tout fanmiw . MWEN RENMEN OU ANPIL E MAP TOUJOU PRIYE POU OU.

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#NoComment : nouvelle manifestation en Haïti contre le président Jovenel Moïse

LIRE L’ARTICLE : https://fr.euronews.com/2021/0....2/11/nouvelle-manife

#Nocomment